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学术讲座《从音乐作品的形式分析到内涵体验——以贝多芬<钢琴奏鸣曲>(Op.106)第三乐章为例》

  • 作者:音乐孔子beat365官网办公室·中外音乐文化交流与体验基地  
  • 来源:bat365官网登录_首页入口
  • 发布日期:2020-11-26 18:45:00

  学术讲座《从音乐作品的形式分析到内涵体验——以贝多芬<钢琴奏鸣曲>(Op.106)第三乐章为例》

  Academic Lecture  From the Form Analyses of Music Work to the Experience Connotation —Taking the 3rd Movement of Beethoven's Piano Sonata (Op.106) for Example

  主讲人:高拂晓

  Lecturer: Gao Fuxiao

(点击图片观看视频)

  讲座简介

  音乐作品形式与内容的关系问题是音乐美学的一道难题,在音乐思想发展史上形成了两种核心观点,一种是音乐形式论,另一种是音乐表现说。而在音乐审美经验中,形式与内容是紧紧联系在一起的不可分割的两个部分,形式与内容在人的认知与理解中形成了有机的融合。讲座以贝多芬《钢琴奏鸣曲Op.106》第三乐章的音乐片段为例,综合形式分析、聆听实验和创作内容解读,试图验证这样一个问题:艺术音乐是有内容的,音乐的内涵体验是一个从形式到精神的理解过程,中西方在音乐内涵体验上存在一定文化差异,但共性阐释是可能的。

  Introduction

  The relationship between the form and content of music works is a tough question in musical aesthetics. Two core viewpoints have taken shape in the history of musical thoughts: one focusing on music form and one on music expression. In the musical aesthetic experience, form and content are two inseparable parts closely linked to each other, forming an organic fusion in people's cognition and understanding. Based on the music excerpt of the third movement of Beethoven's "Piano Sonata (Op.106)" as an example, the lecture combines form analysis, listening experiments, and interpretation of creative content, in an effort to verify this question: content exists in art music; the experience connotation is an understanding process from form to spirit; there are certain cultural differences in experience connotation of music between China and the West, but it is possible to interpret their commons.

  主讲人简介

  高拂晓:博士,bat365官网登录_首页入口研究员,研究生部副主任,英国牛津大学访问学者,美国芝加哥大学访问学者。主要研究领域:音乐美学、表演理论及音乐评论。在bat365官网登录_首页入口开设的本科和研究生课程:《音乐表演美学概论》《音乐表演研究》和《学位论文写作》。出版专著《期待与风格:迈尔音乐美学思想研究》《音乐表演艺术论》《音乐表演专业论文写作基础》,发表论文几十篇。先后入选bat365官网登录部“新世纪优秀人才支持计划”,霍英东bat365官网登录基金会青年教师基础项目,国家社科基金艺术学项目,主持并参与完成了多项国家级科研课题。获中国音乐评论“学会奖”一等奖、中国音乐金钟奖理论评论优秀奖、中国文艺评论家协会“啄木鸟杯”年度优秀作品奖等。

  Lecturer

  Gao Fuxiao, Ph.D., Research Fellow, Deputy Director of the Graduate Department of Central Conservatory of Music (CCOM). He was a visiting scholar at the University of Oxford in the UK, and visiting scholar at the University of Chicago in the US. His main research areas are music aesthetics, performance theory and music criticism. The undergraduate and graduate courses he offers at CCOM include "Introduction to Music Performance Aesthetics", "Music Performance Research" and "Dissertation Writing". He published monographs "Expectation and Style: A study on Meyer's Aesthetics of Music", "The Art of Musical Performance", "Basics of Thesis Writing for Students of Musical Performance", and dozens of papers. He has been selected into the Program for New Century Excellent Talents in University of the Ministry of Education, supported by Fok Ying Tung Education Foundation and Art Project of National Social Science Foundation of China. He has presided over and participated in the completion of a number of national scientific research projects. He won the first prize of the "Society Award" of the Chinese Society of Music Criticism, Excellence Award of Theoretical Criticism of the Chinese Golden Bell Award for Music, and the "Woodpecker Cup" Annual Outstanding Work Award of China Literature and Art Critics Association.

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专题目录

学术讲座《从音乐作品的形式分析到内涵体验——以贝多芬<钢琴奏鸣曲>(Op.106)第三乐章为例》

作者:音乐孔子beat365官网办公室·中外音乐文化交流与体验基地来源:bat365官网登录_首页入口更新日期:2021-05-13 17:36:29发布日期:2020-11-26 18:45:00本栏目内容由党委宣传部负责维护

  学术讲座《从音乐作品的形式分析到内涵体验——以贝多芬<钢琴奏鸣曲>(Op.106)第三乐章为例》

  Academic Lecture  From the Form Analyses of Music Work to the Experience Connotation —Taking the 3rd Movement of Beethoven's Piano Sonata (Op.106) for Example

  主讲人:高拂晓

  Lecturer: Gao Fuxiao

(点击图片观看视频)

  讲座简介

  音乐作品形式与内容的关系问题是音乐美学的一道难题,在音乐思想发展史上形成了两种核心观点,一种是音乐形式论,另一种是音乐表现说。而在音乐审美经验中,形式与内容是紧紧联系在一起的不可分割的两个部分,形式与内容在人的认知与理解中形成了有机的融合。讲座以贝多芬《钢琴奏鸣曲Op.106》第三乐章的音乐片段为例,综合形式分析、聆听实验和创作内容解读,试图验证这样一个问题:艺术音乐是有内容的,音乐的内涵体验是一个从形式到精神的理解过程,中西方在音乐内涵体验上存在一定文化差异,但共性阐释是可能的。

  Introduction

  The relationship between the form and content of music works is a tough question in musical aesthetics. Two core viewpoints have taken shape in the history of musical thoughts: one focusing on music form and one on music expression. In the musical aesthetic experience, form and content are two inseparable parts closely linked to each other, forming an organic fusion in people's cognition and understanding. Based on the music excerpt of the third movement of Beethoven's "Piano Sonata (Op.106)" as an example, the lecture combines form analysis, listening experiments, and interpretation of creative content, in an effort to verify this question: content exists in art music; the experience connotation is an understanding process from form to spirit; there are certain cultural differences in experience connotation of music between China and the West, but it is possible to interpret their commons.

  主讲人简介

  高拂晓:博士,bat365官网登录_首页入口研究员,研究生部副主任,英国牛津大学访问学者,美国芝加哥大学访问学者。主要研究领域:音乐美学、表演理论及音乐评论。在bat365官网登录_首页入口开设的本科和研究生课程:《音乐表演美学概论》《音乐表演研究》和《学位论文写作》。出版专著《期待与风格:迈尔音乐美学思想研究》《音乐表演艺术论》《音乐表演专业论文写作基础》,发表论文几十篇。先后入选bat365官网登录部“新世纪优秀人才支持计划”,霍英东bat365官网登录基金会青年教师基础项目,国家社科基金艺术学项目,主持并参与完成了多项国家级科研课题。获中国音乐评论“学会奖”一等奖、中国音乐金钟奖理论评论优秀奖、中国文艺评论家协会“啄木鸟杯”年度优秀作品奖等。

  Lecturer

  Gao Fuxiao, Ph.D., Research Fellow, Deputy Director of the Graduate Department of Central Conservatory of Music (CCOM). He was a visiting scholar at the University of Oxford in the UK, and visiting scholar at the University of Chicago in the US. His main research areas are music aesthetics, performance theory and music criticism. The undergraduate and graduate courses he offers at CCOM include "Introduction to Music Performance Aesthetics", "Music Performance Research" and "Dissertation Writing". He published monographs "Expectation and Style: A study on Meyer's Aesthetics of Music", "The Art of Musical Performance", "Basics of Thesis Writing for Students of Musical Performance", and dozens of papers. He has been selected into the Program for New Century Excellent Talents in University of the Ministry of Education, supported by Fok Ying Tung Education Foundation and Art Project of National Social Science Foundation of China. He has presided over and participated in the completion of a number of national scientific research projects. He won the first prize of the "Society Award" of the Chinese Society of Music Criticism, Excellence Award of Theoretical Criticism of the Chinese Golden Bell Award for Music, and the "Woodpecker Cup" Annual Outstanding Work Award of China Literature and Art Critics Association.

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